Biography
Paulo Cesar Maia de Aguiar
Paulo Cesar Maia de Aguiar was born in November 10, 1970 n, in Rio de Janeiro province of Rio de Janeiro
Studied piano at Rio De Janeiro Brazilian Conservatory between 1985 and 1993 belatedly, there was interest on the part of him give towards the career of composer and pianist . Had as master Benito Taranto (Conservatório Brasileiro-BR) 1991, and Katia Demarco 1985 -1990(CBM-BR) . In 1994 he joined composition Course At UERJ (RJ), but does not complete it. Follow then the task of teaching piano lessons. In the year 1997 to 2010 was allowed to work as a choir, and thus developed a didactic work and composition to the genre, and still 140 pieces for this choir and Made 10 appearances on local Tv. As Arranger Works dede 2007 until this year, at Christmas cantatas for a charitable purpose. As a pianist has acted in Chambre music since 1989, accompanied by singers, and instrumentalists.
Paulo Cesar Maia de Aguiar has a diverse style, late romantic, Impressionist, modern, depending on the occasion and comprehensive context.So start your career in a professional manner to 38 years, after this date 2009, that solved, exposing the work for publication and approval of the public. He believes that merges between musical styles are also a way to innovate without crashing, musica is for overall assessment.
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Studied piano at Rio De Janeiro Brazilian Conservatory between 1985 and 1993 belatedly, there was interest on the part of him give towards the career of composer and pianist . Had as master Benito Taranto (Conservatório Brasileiro-BR) 1991, and Katia Demarco 1985 -1990(CBM-BR) . In 1994 he joined composition Course At UERJ (RJ), but does not complete it. Follow then the task of teaching piano lessons. In the year 1997 to 2010 was allowed to work as a choir, and thus developed a didactic work and composition to the genre, and still 140 pieces for this choir and Made 10 appearances on local Tv. As Arranger Works dede 2007 until this year, at Christmas cantatas for a charitable purpose. As a pianist has acted in Chambre music since 1989, accompanied by singers, and instrumentalists.
Paulo Cesar Maia de Aguiar has a diverse style, late romantic, Impressionist, modern, depending on the occasion and comprehensive context.So start your career in a professional manner to 38 years, after this date 2009, that solved, exposing the work for publication and approval of the public. He believes that merges between musical styles are also a way to innovate without crashing, musica is for overall assessment.
In the light of paradise musicianship master of Glass
(by the composer himself)
The Agógica (time shift that occurs in the musical work full time) in this piece of music is not free to interpret tending accuracy. And getting ahead on Harmony and Agógica aspects of the musical work (MW) would be a copy of nuances as much as hamonicas as much as rhythmic, an etheric-volatile effect to the listener to piece. It's free bordering or going to "rubalto" I took myself as an example: ["The Hours"] that made MR Glass Soundtrack masterfully. And the criterion of relevance is to give each harmonic and rhythmic nuance that has Mr. in your soul that is free.
Then, rhythmic figures (eighth) of the voice and voice 2 3 relate to describe this time, and all ranging Harmonia time between stress and support motion and no motion, tension and peace. Since the film hours aprensenta ourselves and life also shows us: impermanence, despite the accurately measured over time (hours), the important thing would be how we spend the time, depending on our emotions and state of mind and I believe that the Lord touching understand.
And Music in question:.'s Number III of the collection is simple and direct musical work Name of the collection is taking advantage of the event just: Glassworks musical impressions: MK 20 (2014) (Abbreviation: Musical Work)
À la lumière de maître de paradis musical de verre
RépondreSupprimer( par le compositeur lui-même )
Le agogique ( Timeshift Que se produit dans l'œuvre musicale à plein temps ) dans ce morceau de musique n'est pas libre d'interpréter la précision tend . Et prendre de l'avance sur l'harmonie et aspects agogique de l'œuvre musicale ( MW ) serait une copie des nuances beaucoup les hamonies beaucoup la rythmique , un effet éthérique volatile à l'auditeur de pièce . C'est en bordure libre ou aller à " rubalto « Je me suis pris à titre d'exemple : [" The Hours " ] Que M. verre Soundtrack magistralement fait . Et le critère de pertinence est de donner à chaque nuance Qué harmonique et rythmique a pour le pianiste . Iin votre âme qui est libre.
Ensuite , figures rythmiques ( huitième ) de la voix et la voix 2 3 rapport pour décrire cette équipe , et toute l'équipe Harmony comprise entre le stress et appuyer la motion et le mouvement , la tension et de la paix . Depuis le film présente heures nous-mêmes et la vie nous montre également: l'impermanence , Malgré les mesurées avec précision dans le temps (heures) , l'important serait de savoir comment nous dépensons l'équipe , en fonction de nos émotions et l'état d'esprit et je crois que les seigneurs de toucher au Québec comprendre .
Et la musique en question : . Le numéro d ' III de la collection est simple et directe œuvre musicale Nom de la collection profite de l'événement juste : Les impressions musicales Verrerie : MK 20 ( 2014) ( Abréviation : Œuvre musicale )